
Original: $25.49
-65%$25.49
$8.92The Story
Grant Greenās Blue Note output was prolific through the early-60s producing more than 20 hard bop and soul jazz sessions as a leader for the label betweenĀ 1961-1965. By the time the guitarist returned to the label in 1969 his musical style had evolved to embrace jazz-funk and R&B as heard on his albumsĀ Carryinā OnĀ andĀ Green Is Beautiful. After two searing live recording datesāAlive!Ā andĀ Live at Club MozambiqueāGreen returned to Van Gelder Studio in 1971 to recordĀ Visions. Joining the guitarist wereĀ Billy WootenĀ on vibes,Ā Emmanuel RigginsĀ on electric piano,Ā Chuck RaineyĀ on electric bass, Idris MuhammadĀ on drums, and percussionistsĀ Ray ArmandoĀ andĀ Harold Caldwell. Greenās distinctive tone and melodicism elevate this varied program which includes interpretations of radio hits by Chicago (āDoes Anybody Really Know What Time It Is?ā), The Carpenters (āWeāve Only Just Begunā), and the Jackson 5 (āNever Can Say Goodbyeā), as well as a surprising reinvention of MozartāsĀ Symphony No. 40 in G Minor. Other highlights of the set include the jazz-funk workout āCantaloupe Womanā and an achingly beautiful rendition of Quincy Jonesā āMaybe Tomorrow,ā which was later sampled on Kendrick Lamarās 2012 track āSing About Me, I'm Dying of Thirstā fromĀ Good Kid, m.A.A.d City.
This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Tracklist:
A1: Does Anybody Really Know What Time It Is?
A2: Maybe Tomorrow
A3: Mozart Symphony #40 In G Minor, K550, 1st Movement
A4: Love On A Two Way Street
B1: Cantaloupe Woman
B2: We've Only Just Begun
B3: Never Can Say Goodbye
B4: Blues For Abraham
Description
Grant Greenās Blue Note output was prolific through the early-60s producing more than 20 hard bop and soul jazz sessions as a leader for the label betweenĀ 1961-1965. By the time the guitarist returned to the label in 1969 his musical style had evolved to embrace jazz-funk and R&B as heard on his albumsĀ Carryinā OnĀ andĀ Green Is Beautiful. After two searing live recording datesāAlive!Ā andĀ Live at Club MozambiqueāGreen returned to Van Gelder Studio in 1971 to recordĀ Visions. Joining the guitarist wereĀ Billy WootenĀ on vibes,Ā Emmanuel RigginsĀ on electric piano,Ā Chuck RaineyĀ on electric bass, Idris MuhammadĀ on drums, and percussionistsĀ Ray ArmandoĀ andĀ Harold Caldwell. Greenās distinctive tone and melodicism elevate this varied program which includes interpretations of radio hits by Chicago (āDoes Anybody Really Know What Time It Is?ā), The Carpenters (āWeāve Only Just Begunā), and the Jackson 5 (āNever Can Say Goodbyeā), as well as a surprising reinvention of MozartāsĀ Symphony No. 40 in G Minor. Other highlights of the set include the jazz-funk workout āCantaloupe Womanā and an achingly beautiful rendition of Quincy Jonesā āMaybe Tomorrow,ā which was later sampled on Kendrick Lamarās 2012 track āSing About Me, I'm Dying of Thirstā fromĀ Good Kid, m.A.A.d City.
This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Tracklist:
A1: Does Anybody Really Know What Time It Is?
A2: Maybe Tomorrow
A3: Mozart Symphony #40 In G Minor, K550, 1st Movement
A4: Love On A Two Way Street
B1: Cantaloupe Woman
B2: We've Only Just Begun
B3: Never Can Say Goodbye
B4: Blues For Abraham














